Shadows, Classic Movies and Caravaggio: Inside the Lush Cinematography of ‘Ripley’

The Wrap
By Jason ClarkJun 6, 2024, 11:00 am97 pts
Director Steven Zaillian might not have used black-and-white cinematography in past projects, but thankfully for him, his director of photography had in a very big way. Cinematographer Robert Elswit (an Academy Award winner for Paul Thomas Anderson’s “There Will Be Blood”) was the right choice to bring…

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